"When the 1923/24 season opened, the Vieux-Colombier found itself in competition with former members of the company since Jouvet's and Dullin's theatre drew from the same public as Copeau. Its subscriber base reduced, the Vieux-Colombier no longer held the cherished spot in the heart of those theatregoers who sought quality in the theatre. For Copeau, two events marked the highpoints of the season: the staging of his long-awaited La Maison natale, a work that had its inception in various forms more than twenty years earlier, and the Noh play Kantan with the students of the school under the direction of Suzanne Bing. Copeau's piece dealt with the theme of an autocratic father whose two sons, Maxime and Pierre, have already left the nest to find happiness elsewhere. André, the youngest son, remains at home, but is encouraged by his grandfather to search for his happiness."